The other title to this self-portrait is 'Self-portrait in exactly the spirit in which it was drawn. Brett Whiteley is photographed by Robert Walker at. Look at these paintings and examine how Whiteley has given us clues to his identity. Daniel Thomas., The Age, 'Desperate Beauty', Melbourne, 20 Jul 1996, 7 (illus.). 13-35, Sydney, 1988, 32, 34-35 (colour illus.). Brett Whiteley Self Portrait In The Studio Framed Print . ), 145 (colour illus.). It took a great deal of his time and effort, taking about a year of full-time work. 07 Apr 1939 Expressive, lively and playful, Brett Whiteleys sketches and drawings not only provided the foundations for his paintings, sculptures and prints, they also demonstrate the joy of capturing a moment on paper, indulging in an idea or creative concept. 105. Requests for a reproduction of a work of art or other content can be made through a Reproduction request. . David Shteinman, Philosopher, 'Tribute to a Dionysian Free Spirit. Archibald Prize: Brett Whiteley - Self Portrait in the Studio; John Moores Painting Prize - John Walker for "Juggernaut with plume - for P Neruda" Exhibitions. Balmoral Brett Whiteley 1978. He was the youngest living artist to have work purchased by the Tate, a record that still stands. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995. . Brett Whiteley. Brett Whiteley, Self-Portrait in the Studio (1976) In 1976, Brett won the Archibald Prize for his painting Self Portrait in the Studio. The painting is set in Brett Whiteley's studio with his furniture and includes his other artworks around him. 29-31, Sydney, 20 Jun 1992, 29-31. He then gifted it to the current owner who had it reassembled. The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. The artists face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger landscape. Andrew Powell, Departures, 'Sydney[.] Many who were close to Whiteley, then aged 39, felt sure he would not survive beyond 40. The Brett Whiteley Studio, Whiteley & Rees: More affinities, Sydney, 2005, (illus.). He was very much influenced by the peace movement at the time and came to believe that if he painted one huge painting which would advocate peace, then the Americans would withdraw their troops from Vietnam. ), 23. I think that the artwork is set in Brett Whiteley's studio Jane Hampson, Sun-Herald, 'Brett Whiteley's Images of Sydney Harbour', pg. 71-89, Sydney, 1984, 72, 72 (colour illus.). Unknown (Editor), Sun-Herald, 'The canvas of chaos - Brett Whiteley interview with Sam Newman', pg. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present. Elizabeth Fortescue, Daily telegraph mirror, 'Regarding Whiteley', pg. In his self-portraits, the artist reveals layers of himself and defines portraiture as something beyond the physical self to include his environment, personal and artistic influences, whether affirming or self destructive. Portraiture for Brett Whiteley was an insight into the psychology of the human condition. A handful of his own curly, reddish hair glued to the picture signifies a desire to explore a higher kind of realism, as if mere paint on canvas were insufficient to the task. It premiered at the Sydney Opera House on 15 July 2019. Image of David Williamson standing in front of 'The balcony 2'. It was his comment on the direction the world might be headed and his response to a seemingly pointless war which could end in a nuclear holocaust. Sandra McGrath., The Australian, 'A prize collection', Sydney, 27 Oct 1978, (illus.). ), 24. Anna Waldmann, The Archibald Prize: an illustrated history 1921-1981, Sydney, 1981, 235 (colour illus.). For portraiture to survive, especially self-portraiture, there has to be a deepening quality of self-revelation. In little more than two years Whiteley had moved from a languorous vision of the studio to a sensational, confessional self-portrait set against a pale, terracotta ground. Susan Hunt, The Archibald Prize 1921-1993, Sydney, 1993, 23 (colour illus.). See all 85 works. Tributes to Brett Whiteley collectively written by Stuart Purves; director of Australian Galleries, Doug Hall; director of Queensland Art Gallery, Colin Lanceley; artist, Mary Eagle and Andrew Sayers; curators of Australian Art at the Australian National Gallery, and, Paul Delprat; Principal of The Julian Ashton Art School. He won the international prize at the second Paris Biennale for Young Artists in 1961, and married his beautiful . In terms of media, it used everything from feathers and part of a bird's nest to a glass eye, as well as shell pieces, plugs and brain in a work that becomes a transmutation of sexual organic landscapes and mindscapes. Terry Smith, Australian cultural history, 'Populism and Privilege in Australian Painting', pg. The dominant impression is one of luxe, calme et volupt, in the manner of Henri Matisse, whose painting, The Red Studio (1911), was Whiteleys chief source of inspiration. Brush and ink on brown paper 80.5 x 53.5cm. In 1991 he was awarded an Order of Australia. After meeting Bryan Robertson, the director of the Whitechapel Gallery, Whiteley was included in the 1961 group show 'Recent Australian Painting,' where his Untitled red painting was bought by the Tate Gallery. Artists; A-Z Listing; Art movements; Schools and groups Richard Coleman., The Sydney Morning Herald, 'Doctor's theory may help self portraits', Sydney, 03 Apr 1981, (illus.). I remember having this very, very powerful sense that my destiny was to completely give myself to painting that I would be a painter and it was a remarkable moment of knowing that. Summer at Carcoar Brett Whiteley 1977. This article appeared in the 'Arts Australian' section of 'The Australian' newspaper. Get the best deals on Brett Whiteley Art Prints. 46. Closed Good Friday & Christmas day Another in the series was a more abstracted Woman in the bath II, which owed a debt to his yellow and red abstract paintings of the early sixties. Back in Sydney at the end of 1969, Whiteley moved to Lavender Bay and became involved in the Yellow House artists collective in Kings Cross. 9. He painted a series of paintings based on these events, including Head of Christie. Written shortly after Whiteley's Archibald & Sulman prize win in January 1977. Get the best deals on Brett Whiteley Art. Brett Whiteley AO (19391992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. Brett Whiteley - Portrait 2, 1975. photographer: Greg Weight. Yet Whiteley is always attempting to seduce the viewer, while Matisse had an underlying toughness . Verbal and visual in Brett Whiteley", "Translating an imagetext: verbal and visual self-representation in Brett Whiteley's Interior, Lavender Bay", Brett Whiteley's friend and colleague George Sheridan webpage, https://en.wikipedia.org/w/index.php?title=Brett_Whiteley&oldid=1142217923, This page was last edited on 1 March 2023, at 04:16. However Marlborough-Gerson, his gallery, refused to show the work, and he was so distraught that he decided to leave New York, and he 'fled' to Fiji. The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. Saturday 29 April to Sunday 20 August 2006. ), 16 (colour illus.). Janet Hawley, Artists in conversation, Richmond, 2012, viii (colour illus.). AU $100.00. Photograph of Whiteley's 'Self Portrait in the Studio' is taken "stored in the bowels of the Art Gallery of NSW", by Bruce Miller. Self portrait in the studio 1976 Like many other 'Review' magazine. 18-19, Sydney, 13 May 2006-14 Jun 2006, 18-19. Jane Scott, Barry Pearce and Wendy Whiteley, Brett Whiteley: Connections, 'Brett Whiteley: Connections', Healesville, 2010. 0 bids Ending 7 Mar at 23:33 AEDST 5d 18h Local pickup. List of works. The scholarship enabled Whiteley to travel to Europe and experience first-hand much of the art he had only seen in reproduction. Ursula Prunster, Aspects of Australian art, Sydney, 2000, (colour illus.). Sandra McGrath, Brett Whiteley, 'Lavender Bay: Optical Ecstasy', pg. The glamorous Whiteleys marriage was fiery, and their inevitable separation added to the artists problems with substances and self-doubt. The Australian artist is often celebrated for his painting but all his works had drawing at their core. Born: Longueville, Sydney, New South Wales, Australia 07 Apr 1939, Died: Thirroul, Wollongong, New South Wales, Australia 15 Jun 1992, Brett Whiteley in North Sydney house, date unknown, by Robert Walker Estate of Robert Walker. Self Portrait with Real Hair, 1977, ink and hair on paper, 76.0 x 51.0 cm, whereabouts unknown. But this painting also hints at a darker side, as Wendy Whiteley explained in 1995: he was warning himself and other people watching. oil and hair on canvas Brett Whiteley - portrait 1 1975 Greg Weight. Terry Ingram., The Australian financial review, 'Sir John's art fetches $42,000', Sydney, 24 Aug 1981. Typically, the viewer is led deeper into the picture by means of minute detail. 25 May - Opening of exhibition of color photography by William Eggleston at the Museum of Modern Art, New York. The Art Gallery of New South Wales has brought together 116 of Whiteleys works, from detailed landscapes to nude studies, that demonstrate the critical role of drawing something Whiteley called a completely un-rehearsable and unrepeatable visual truth in the artists creative practice, Brett Whiteley: Drawing Is Everything is showing at the Art Gallery of New South Wales until 31 March 2019, Thu 27 Dec 2018 21.53EST Brett said he had wanted it to scare himself straight. [1]. A foundational moment in Whiteleys journey occurred while he was boarding at Scots College in Bathurst, New South Wales, when, one Sunday, he found a book on Van Gogh at St Stephens Presbyterian Church: I picked the book up and studied it it completely changed my way of seeing. Elwyn Lynn, The Independent Monthly, 'Luscious Ornaments', pg. Max Prisk (Editor), The Sydney Morning Herald, 'The crucial art of living dangerously', Sydney, 17 Jun 1992, 17 (illus.). Edmund Capon AM, OBE and Jan Meek (Editors), Portrait of a Gallery, 'Australian 20th Century art', pg. 40, No. Gregory Weight/Copyright Agency, 2022, Greg Weight The resulting work was called The American dream, an enormous work that used painting and collage and anything else he could find on the 18 wooden panels. [citation needed], In 1967 Whiteley won a Harkness Fellowship Scholarship to study and work in New York. (1939 - 1992) SELF PORTRAIT, 1977. oil and hair on canvas. Michael Bowden, Art-isan: studio arts for VCE units 1-4, 'Analysis of an unseen artwork', pg. Purchased 1977 Wendy Whiteley, Need caption Terry Ingram., The Australian financial review, 'Market may see "secret" paintings', Sydney, 14 May 1993, 7 (illus.). One suspects a touch of trichophilia a fetishising of hair with vague sexual overtones. IMAGE CREDIT: Brett Whiteley (1939-1992) Self portrait drawing calligraphically 1975. Barbara Konkolowicz, A different vision, Sydney, 1998. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified. Whiteley's intention was to portray the violence of the events, but not to go too far in showing something which people would not want to see. List of works. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995 Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of . His work became highly desired by collectors, especially his large-scale, brilliantly-coloured interiors and landscapes strongly influenced by French artist Henri Matisse such as Big orange sunset 1974 and Self portrait in the studio 1976. Consider the gaze of Whiteley in each of these works. Open daily Brett Whiteley - Artist (1939 - 1992) After winning a grant from the Art Gallery of NSW at the age of 22, Brett Whiteley set up residence in London where he amazed art collectors with his highly sophisticated paintings. An unconventional triptych, it consists of a small, coloured photo of Whiteleys face; a distorted full-length portrait of him drawing a copy of Dobells Joshua Smith, the controversial Archibald winner of 1943; and a panel that features a screaming baboon in handcuffs, staring helplessly at a hand offering a hypodermic. The National Portrait Gallery respects the artistic and intellectual property rights of others. TheCompanion is available to buy online and in the Portrait Gallery Store. gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. Open daily Walsh also appears in the . Baudelaire's Bird 1973 signed 'brett whiteley / Aug 1973' on verso oil and feathers on canvas on board 56.0 x 52.0cm (22 1/16 x 20 1/2in). He then turned to series of paintings of waves, interiors, the harbour, and coastal landscapes. unknown author., The Courier Mail, 'He won Archibald and Sulman in top art coup', Bowen Hills, 22 Jan 1977, (illus.). The coroner's verdict was 'death due to self-administered substances'. In the midst of such inner turmoil, the Self-portrait of 1977, is a remarkably straight work a still point in a stormy decade. His last studio and home in Sydneys Surry Hills is now a museum managed by the Art Gallery of New South Wales. In 1959 he won an art scholarship sponsored by the Italian government and judged by Russell Drysdale. The painting which was finally produced was made of a fantastic array of elements, including collage, photography and even flashing lights, with a total length of nearly 22 metres. He started drawing at a very early age. Part of his work Alchemy (197273)[9] was featured on the cover of the Dire Straits live album Alchemy although it had the addition of a guitar with lips held by a hand. In London he excited art dealers and fell under the influence of painters such as Francis Bacon, of whom he later made a series of portraits. Barbara Konkolowicz, Look, 'Big Blue Sydney Harbour Through The Eyes of Artists', pg. [28], This article is about the artist. This article appears in 'The Australian Magazine' a liftout of 'The Australian' newspaper. His rock-star status and his popularity in secondary school art rooms may have eroded his street cred in the art world, but Lou Klepac's book Brett . The Brett Whiteley Studio (Editor), Big Blue - The painted harbour, Sydney, 1997, cover (colour illus.). Birds and heroes people Brett Whiteley's art. In 1999, Brett's mother Beryl Whiteley (19172010) founded the Brett Whiteley Travelling Art Scholarship in memory of her son. Lou Klepac, Affinities: Brett Whiteley & Lloyd Rees, 'Introduction', pg. 13, no. Whiteley looks out at us directly, with none of the emotional address of his early Van Gogh style portrait, none of the mock decadence of 1976, or the drug-fuelled angst of 1978. Whiteley died of a methadone overdose in Thirroul on the New South Wales south coast in 1992. Jane Hampson, Look, 'wwwhiteley.com', pg. Joan Clemenger AO and Peter Clemenger AO, Melbourne, acquired from the above in April 1979. In 1959 he was awarded the Italian Government Travelling Art Scholarship, which was judged by Australian artist Russell Drysdale at the Art Gallery of NSW. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. [27] The documentary was made with the approval of Wendy Whiteley, and was received with critical acclaim. 1975: Kevin Connor - The Hon Sir Frank Kitto, KBE; 1976: Brett Whiteley - Self Portrait in the Studio; 1977: Kevin Connor - Robert Klippel; 1978: Brett Whiteley - Art, Life and the other thing; 1979: Wes Walters - Portrait of Phillip Adams; 1980: No award; 1981: Eric Smith - Rudy Komon; By vintage wall art. 174-195, Oxford, 2001, 190 (colour illus.). Clem Lloyd and Peter Sekuless, Australia's national collections, Sydney, 1980, 261 (colour illus.). Untitled (Bird) Brett . fig.no. Wilson quotes a letter the artist addressed to his mother, in January 1979, in which he writes of the realization (sic) of the deep responsibility I have to my talent, to share it with my fellow Australians with the world I am fighting the biggest struggle of my life at the moment. While in London, Whiteley painted works in several different series: bathing, the zoo and the Christies. Free delivery and returns on eBay Plus items for Plus members. 20, No. According to art writer Bruce James, the self-conscious inclusion of the austere pronoun 'IT' that also makes up part of the work compacts life, passion, death and faith in a single empowering word and unites the notional wings of an altarpiece to nascent addiction. Whiteley painted other images of the Australian landscape, including a view of the south coast of New South Wales after it had been raining called The South Coast after rain. This appeared in the `Arts' section of `The Australian Supplement'. One way that America influenced him is in the scale of his works. AU $100.00. Brett Whiteley, 'Self portrait in the studio' (1976) In the former, Whiteley's face appears in a hand-held mirror, as one small feature on a large, luxuriant ground of deep blue. Nicolas Brasch, The arts in Australia: Visual arts, 'Brett Whiteley', pg. Abstract: `Prizes, Rivers and More Prizes' by Sandra McGrath, pg. From $33.34. 239-240, Sydney, 2000, 256 (colour illus. That year he won the trifecta, being awarded all three prizes including the Wynne and Sulman. Discusses how alcohol opens up circus of the imagination which Whiteley feared he would not be able to reach otherwise. 232-243, Sydney, 2000, 232 (colour illus.). Brett Whitely (Australian 1939-1992) Bio. ), 6-7. Mervyn Horton (Editor), Art and Australia [vol. unknown author., The Australian, 'Under lock and key', Sydney, 19 Jun 1992, 11. Works of art from the collection are reproduced as per the, Let me know when this portraits on display. The famed author Mishima had committed seppuku in 1970 and the literary mythology that arose of his apparent final vision of enlightenment in the form of the exploding sun, as he pressed the knife into his body, inspired and became the basis for this work. Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons. It shows Brett Whiteley looking at himself intently in the mirror and recording exactly what he sees. 15 Jun 1992. A detail of Whiteley's self portrait is accompanied with a photograph of the artist. In 1970 he was invited to work in the consciously creative Yellow House with Martin Sharp, Brett Whiteley, George Gittoes and Peter Kingston, photographing its artists, installations and activities and there mounting his first exhibition, a series of photographs of the Cronulla sand dunes. brett whiteley self portrait studio essay; example of a critical analytical essay; big6 research paper organizer; canada as a middle power essay; 2007 ap english language and composition essay; an example of a detailed outline for a research paper; example essays on teamwork; example body of a thesis paper; bought find papers term [20] On 7 May 2007, Opera House, (which took Whiteley a decade to paint, and which he exchanged with Qantas for a period of free air travel) sold for A$2.8million, in Sydney. Reading from left to right, it begins with an exploding sun from a portrait of Yukio Mishima that Whiteley had started but never completed. He painted Patrick White while the author was working on his autobiography, Flaws in the Glass in 197980; thus two great portraits of White, painted and written, developed together. It might be argued that the hair is an affectation Whiteley used too frequently for comfort. And now perhaps just a bit taken with her own image', pg. 5, Sydney, 07 Jul 1992, 5. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people. He won the Wynne Prize again, in 1984, with The South Coast after rain. 12, Sydney, Oct 2006, 12 (colour illus.). (1975), both from the collection of the Art Gallery of NSW. Whiteley's self portrait is compared with Velaquez's of 1656, and Manet's of 1879. As with other works, there is evidence of Whiteley's love for Matisse, ultramarine blue, the Sydney Harbour location and for collected objects. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Portraiture shouldnt just be paint and canvas. High quality Art Print. Joseph Brown Gallery, Melbourne, 1977. It has primarily black on one side and has an image of his wife Wendy in a bathtub, seen from behind. Shop with Afterpay on eligible items. How would the space be divided and what objects of inspiration would be around you? Photo David Christian, Brett Whiteley, 'Self portrait at 16', 1955, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait in the studio', 1976, Art Gallery of New South Wales. After studying desultorily at art school he travelled to Europe on ascholarship. His second Archibald prize, Art, Life and the other thing, shows his willingness to experiment with different media such as photography and collage. Review of 'WARNING: Smoking has been linked to some of the most powerful images of the twentieth century' exhibition, held at Mornington Peninsula Regional Gallery. His ink drawings and paintings are accompanied by works of other Australian and Asian artists selected from the collection of the Art Gallery of New South Wales. As well as Whiteley, artists included here are Peter Upward, Ian Fairweather, John Olsen, Tony Tuckson, Royston Harpur , Michael Johnson, and four of their Chinese contemporaries in the collection; Li Jinxue, HE Jianguo, Wang Ziwu and Nie Ou. 81-82, Port Melbourne, 1998, 82 (colour illus.). This work is such a significant piece it was an essential inclusion for the curator of this exhibition. Brett Whiteley 1975 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art - fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. Choose one of Whiteleys self-portraits. Laurie Hergenhan (Editor), The Australian Short Story: A Collection 1890s - 1990s, St. Lucia, 1986, cover page (colour illus.). On 23 November 2017 the book was named the people's choice winner at the Mark and Evette Moran NIB Literary Award. But at his best, Whiteley was brilliant and a major achievement of the film is that it focuses on this aspect of his art. This is an advertisement for an art book titled `Brett Whiteley' by Sandra McGrath. 21, Port Melbourne, 2005, 21 (colour illus.). Lou Klepac, Brett Whiteley Drawings (2013). Michaela Boland., The Weekend Australian, 'Whiteley's ex-wife ready to fight forgeries', Canberra, 06 Nov 2010-07 Nov 2010, (colour illus.). Art Gallery of NSW. List of journal articles on the topic 'Stanley Press (Firm)'. 6-7, Melbourne . ), 162 (colour illus.). 6-7, Sydney, 1981, 6, 25 (colour illus.). But there was another side thats duality of life and thats where Bretts pictures moved away from Matisses. Barry Pearce, Head Curator of Australian Art, Art Gallery of New South Wales said: 'this is an opportunity to bring together a selection of works influenced by, or in tune with, a special Asian aesthetic that began to infiltrate Australian visual culture during the 1960s, in particular the brushwork of Chinese and Japanese calligraphy. Around him at the Hotel Chelsea, other artists and musicians took heroin, which Whiteley did not take at that time. Sue Williams., Saturday Mercury, 'Whiteley gone but his great spirit lingers on', Hobart, 20 Jun 1992, 17, 20. Barry Pearce and Alec George, 9 Shades of Whiteley, '4: Lavender Bay', pg. 1924 Miss Collins by W B McInnes. Before this, his previous highest-selling work was The pond at Bundanon for A$649,500. Peoples personalities are reflected in the things they collect and the environments in which they live. John Olsen at the time of print was a board member of the Art Gallery of NSW. 1928 Dr Alexander Leeper by John Longstaff. [4] He also spent time with friends including Mark Knopfler and John Illsley from the band Dire Straits. Brett Whiteley AO, artist, displayed a brilliant talent for drawing as a Sydney private schoolboy. Shop today! cat.no. How did his studio inspire Brett Whiteleys art-making? We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. 165-213, Kensington, 1979, 204 (colour illus. 454-457, St Leonards, Mar 2003-May 2003, 455 (colour illus.). He died following an overdose of heroin in a motel in Thirroul, NSW in the winter of 1992. The work is an anthology of Whiteley motifs, including the view of Sydney Harbour from a window, a reclining nude, an armchair, and a piece of blue-and-white . This painting won the Archibald Prize in 1976 and was acquired by the Gallery in 1977. He soon settled in Lavender Bay. Richard Hall (Editor), Sydney: an Oxford anthology, South Melbourne, 2000, front cover (colour illus.). Charles Green, Peripheral vision: Contemporary Australian art 1970-94, Drummoyne, 1995, 7. Andrew Sayers, Australian art, 'Icon and abstraction 1951-68', pg. David Freeman will direct and Tahu Matheson will conduct. How can you use colour, texture, symbols and other elements to give viewers an insight into how you are feeling? 3, Mornington, 18 Apr 2006, 3 (illus.). Archibald, Wynne & Sulman Prizes for 1976, Art Gallery of New South Wales, Sydney, 22 Jan 1977-27 Feb 1977. His farewell to abstraction, Summer at Sigean, was a record of his honeymoon in France. He began the 1970s with gentle pictures of birds, moving on to massive portraits of the poets Verlaine and Rimbaud before taking two years to paint the gigantic Alchemy 197273. 28-29, Sydney, 09 Sep 1995, 28-29. One image which uses van Gogh's style in a unique way is The night caf (197172). Artist Natasha Walsh with her nearly completed Archibald Prize entry, a riff on Brett Whiteley's winning piece, 'Self-portrait in the studio'.Janie Barrett. Look at this beautiful house and wonderful pictures and things. Collage these images together to create a portrait to display in class. The young Whiteley duplicates the three-quarter turn of the head, the painters sullen-or-soulful gaze which holds the viewers eye. Wendy Whiteley on 'Self-portrait in the studio' (1976), Wendy Whiteley on the life and work of Brett Whiteley, Archibald, Wynne & Sulman Prizes for 1976, Art Gallery of New South Wales, Sydney, 22Jan197727Feb1977, Archibald Retrosepctive Exhibition, Art Gallery of New South Wales, Sydney, 19851985, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16Sep199519Nov1995, Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of the Northern Territory, Darwin, 13Dec199528Jan1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of Western Australia, Perth, 22Feb199608Apr1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of South Australia, Adelaide, 09May199616Jun1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 02Jul199626Aug1996, Brett Whiteley Art & Life (1995-1996), Tasmanian Museum and Art Gallery, Hobart, 18Sep199617Nov1996, Big Blue - the painted harbour (1997), Art Gallery of New South Wales, Sydney, 21Jun199729Mar1998, A Different Vision - Brett Whiteley Sculptures (1998), The Brett Whiteley Studio, Surry Hills, 04Apr199823Aug1998, Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04Aug200003Dec2000, Brett Whiteley: Interiors (2001), The Brett Whiteley Studio, Surry Hills, 14Jul200114Oct2001, To look within: Self portraits in Australia, University of Queensland Art Museum, Brisbane, 16Apr200420Jun2004, To look within: Self portraits in Australia, National Portrait Gallery [Old Parliament House], Canberra, 09Jul200419Sep2004, Warning: Smoking has been linked to some of the most powerful images of the twentieth century an MPRG exhibition., Mornington Peninsula Regional Gallery, Mornington, 04Apr200628May2006, 9 shades of Whiteley, Gold Coast City Art Gallery, Surfers Paradise, 12Jul200807Sep2008, 9 shades of Whiteley, Lismore Regional Gallery, Lismore, 13Sep200815Nov2008, 9 shades of Whiteley, New England Regional Art Museum, Armidale, 22Nov200808Feb2009, 9 shades of Whiteley, Newcastle Art Gallery, Newcastle, 14Feb200926Apr2009, 9 shades of Whiteley, Bathurst Regional Art Gallery, Bathurst, 01May200914Jun2009, 9 shades of Whiteley, Mornington Peninsula Regional Gallery, Mornington, 02Jul200923Aug2009, Iconic Whiteley (2009-2010), The Brett Whiteley Studio, Surry Hills, 12Sep200922Aug2010, Brett Whiteley - Connections (2010-2011), TarraWarra Museum of Art, Healesville, 06Nov201019Mar2011, Blue (2011), The Brett Whiteley Studio, Surry Hills, 09Jul201108Jul2012, The nude: erotic, sensual and sacred, The Brett Whiteley Studio, Surry Hills, 12Apr201301Sep2013, Brett Whiteley portraits, The Brett Whiteley Studio, Surry Hills, 23May201428Sep2014, Brett Whiteley: sculptures and ceramics, The Brett Whiteley Studio, Surry Hills, 05Jun201506Dec2015, Destination Sydney, Manly Art Gallery and Museum, Manly, 05Dec201514Feb2016, Naked, The Brett Whiteley Studio, Surry Hills, 18Nov201614May2017, Brett Whiteley: drawing is everything, Art Gallery of New South Wales, Sydney, 15Dec201831Mar2019, Brett Whiteley: drawing is everything, Bendigo Art Gallery, Victoria, 31Jul202131Oct2021, Brett Whiteley: drawing is everything, Bathurst Regional Art Gallery, Bathurst, 10Dec202126Jan2022, Brett Whiteley: Lavender Bay, The Brett Whiteley Studio, Surry Hills, 25Oct201915Mar2020, Brett Whiteley: Blue and White, The Brett Whiteley Studio, Surry Hills, 30Apr202227Nov2022, Brett Whiteley: Eternity is Now, The Brett Whiteley Studio, Surry Hills, 03Dec20222023.